Cocky Eek

COCKY EEK is an spatial artist and creates synesthetic experiences in which our inner landscape interferes with the landscape that surrounds us. She likes to immerse her participants in spatial compositions to induce the feeling that you are not moving through space, but where space moves through you. Her work connects with the deeper layers of ourselves and of our surroundings.

Cocky: “To perceive directly that there is no separation between the environment and us is profoundly different from thinking about it.

Presented works include: Boskoi, Ars Electronica, Linz, ISEA Albuquerque 2014; Sphaerae, AxS Festival, Los Angeles, 2014; Le vide el la lumière, Le Lieu Unique, Nantes, 2017; Landing Sites, Oerol Festival, Terschelling, 2017; and Sense of Place, Sonic Acts, Amsterdam, 2018. Eek lives and works in Amsterdam.


COCKY EEK (born 1966) is a spatial artist/designer. She is interested in lightweight spatial compositions, floating, flying and flowing experiments, voluminous forms that explore human perception, and synesthetic spatial compositions in relation to the human body. She studied Fashion Design [BA/MA] from 1984- 1989 in the Netherlands, France and Italy and set off with a wearable collection Fashion is Ugly, You have to Change it Every Half Year nominated for the Salon des jeunes stylistes (1994) Hyeres. In collaboration with Maria Blaisse the Kuma Guna dance costumes led to a nomination for the Dutch Design Awards (1997). Since 2001 she has been an active member of FoAM, a network of trans disciplinary labs at the intersection of art, science, nature and everyday life. She co-founded FoAM Amsterdam in 2005 and received Prix Ars Electronica Honorary Mention 2011 for the urban foraging project Boskoi. Since 2013 Cocky collaborates with the abstract mime theatre group Schweigman& and co-developed the works Blaas, Erf, Curve, Landing Sites and Spectrum allpresented in an national and international context. Besides her artistic practice she is a core teacher at the ArtScience Interfaculty BA/MA of the Royal Conservatoire and the Royal Academy of Art, The Hague since 2009. In 2021 she initiated and curates the Field Academy at StrandLAB Almere (NL).

COCKY EEK / 1966/ born in Eemnes, NL
works and lives in Amsterdam

events (recent years)

Void, black sonic sphere, a collaboration piece with Joris Strijbos. presented at Klankvorm, 2-5 June 2022, Roterdam, NL.

Biennale Sydney, Resonant Bodies_Tankstream, Audiopiece in collaboration with Carolyn Strauss and Anna Maria Fink produced by Slow Research Lab. 12 march-13 juni 2022.

Spectrum, immersive color installation by Cocky Eek, Boukje Schweigman, Yannis Kyriakides and Matthijs Munnik produced by Scheigman&, 9 feb t/m 16 feb 2022, Le Lieu Unique, Nantes (France)


Spectrum at Amare Theatre,  immersive color installation by Cocky Eek, Boukje Schweigman, Yannis Kyriakides and Matthijs Munnik produced by Scheigman&. Co-presented by Todaysart and We are Europe, 16 dec t/m 19 dec 2021, Amare, The Hague NL. Do 16 dec t/m zo 19 dec 2021, Amare, The Hague NL
Di 21 t/m do 23 dec 2021, Amare, The Hague NL
Zo 26 t/m do 30 dec 2021, Amare, The Hague NL
Zo 2 jan 2022, Amare, The Hague NL

StrandLAB Almere, Field Academy-summer sessions, curation program, 11-13 august.

Spectrum, SPRING Performing Arts Festival, , immersive colour installation in coll. with Schweigman&, 20-29 mei, Utrecht

Zone2Source, Why look at animals? collective performance with students from the ArtScience Interfaculty BA/MA in the context of Machine Wilderness program, 22 April, Amstelpark Amsterdam


SPRING Festival Utrecht, Spectrum, immersive light installation by Schweigman& and Cocky Eek, in collab. with Matthijs Munnik and Yannis Kyriakides. 28 oktober – 20 december 2020, ,

Global Broadcast of the Total Eclipse: 2’10” a joined solar eclipse performance with 21 artists from across the globe to simultaneously acknowledge, the wondrous alignment of earth, moon and sun, December 14, 2020 at 16:12:30.8 UTC.

SOLO#1, spatial design for performance piece by Amber Dockters van Leeuwen, 10-11 September 2020, Westergasfabriek Amsterdam.

Spectrum,immersive light installation by Schweigman& and Cocky Eek,
6-16 august 2020, Afzender Boulevard, Brabanthallen, Den Bosch.

Open Brainstorm Session Studio Fieldwork, Almere Beach:
30 july, 13: 30- 15:00h. Meeting 1: what is the field? What would make great topics and questions to work with?
11 august,10:30 – 12:00h. Meeting 2: what could fieldwork be? How would we explore methods, practices, diverse ways of knowing?
26 augustes: 10:30 – 12:00h. Meeting 3: documentation? How would this research be shared beyond the group, locally, and between different practices

Mission to the Moon, openingsperformance en expo astronautenpak Apollo Block I A1C, Moon Gallery, Glazenhuis Amstelpark Amsterdam, 6-12 juni 2020,

Winterschool StrandLAB, workshop Patterns of Ebb and Flow with students of the creative departments of the Royal Conservatoire of the Hague; ArtScience, Sonology and Composition. Almere Beach, 19-13 Maart 2020.

Sinking in Between, floating waterinstallation, in collaboration with Nicky Assmann, during International Rotterdam Film Festival IFFR, 23 jan -2 febr 2020, Rotterdam Harbour.


Feeler’s: urban walk, ArtScience Interfaculty, 22 November 2019, Schenktunnel Den Haag.

InScience Festival, panel Astronauten van de Binnenwereld, 8 november 2019, Nijmegen

TodaysArt: Locating ArtScience #2, opening lecture/performance, 18 September 2019, The Grey Space in the Middle, The Hague.

Neuhaus, exhibition 19 may-15 September. Installation in collaboration with Theun Karelse (NL) and Ian Ingfram (US). Het Nieuwe Instituut, Rotterdam, NL.

ArtScience year opening event, 2-4 September, Almere Beach,

Lansdcape of Care, given workshop, 19- 23 juni 2019, Tiznit community, Marocco. landscape of care

Winterschool Schweigman&, body-space-perception, 22-23 March 2019, Het Huis Utrecht

Winterschool Strandlab, workshop Patterns of Ebb and Flow with students of the creative departments of the Royal Conservatoire of the Hague; ArtScience, Sonology and Composition. Almere Beach, 11-15 Maart 2019.

Blaas, Theatrical performance, Adelaide Festival, 2-10 March 2019, Adelaide, Australia.


Slow Research Lab, workshop SoftScapes, 14-24 December, Tiznit, Morocco.

TodaysArt , Crossing Parallels panel Interactive Environments with keynote speaker Philip Beesley, 17 November, TU-Delft.

TodaysArt, panel Immersive Environments, 22 september, The Hague.

Moment of [MA], performance with ArtScience students, part of The Intensive Cartografies series, Architecture Theory Chair, TU-Delft, 11 oktober, Delft, NL.

International FoAM Open Studio, open lab presentation, Kernow, UK.

Sphaerae, performance pavilion, {Un][split} Micro Performance and Macro Matters, Science & Art Festival, 31 aug- 2 september, München, DE.

Blaas, performance, 16-20 may, Brighton Festival, Brighton, UK 2018 England

Sense of Place, installation with students of the ArtScience Interfaculty, 23-25 Febr, Sonic Acts Festival, Amsterdam.

Sonic Acts panel Sensing the Shipyard, 24 February, Sonic Acts Symposium, Amsterdam.

Tidal States, Modern Body Laboratory #2, commissioned performance installation, in collaboration with Zois Loumakis (GR/NL) light-sound and live performance by dancer-mover Kenzo Kusuda, 8- 10 February, Broedplaats WD4X, The Hague, NL.


Landing Sites, walking installation, documentattion at:
– Public Expedition#12, 17 September, De Zandmotor, Ter Heijde, NL.
– Oerol Festival, 9-18 june, Terschelling Island, NL
– Public tests:1 1 February, 20 February, 6 March, 20 May, De Zandmotor, Ter Heijde, NL.

Blaas, Fadjr Festival, 24-28 January, Teheran, Iran,

ZHdK Zurich University of the Arts, symposium Its all Air, talk and workshop, 12 may Zürich, CH

Le vide el la lumière, two large-scale commissioned works: Non-Locality and Fascia, by Cocky Eek and Theun Karelse in regards to the oeuvre exhibition of Evelina Domnitch & Dmitry Gelfand. 20 October 2016 January 2017, Le Lieu Unique, Nantes, France,


50% Human, exhibition in collaboration with Sonja Baumel and dep. Microbiology Wageningen, Oranjerie, Amstelpark, Amsterdam, 7-14 oktober, Zone to Source.

Sandsongs, presented works of The Elements Lab. SandSongs is a collaboration of De Satellietgroep, iii (Instrument Inventors Initiative), TodaysArt and The Elements Lab of the ArtScience Interfaculty. June 18th, De Zandmotor, Kijkduin/Monster, NL.

Curve, inflatable installation work, presented at:
– Oerol Festival, Terschelling, NL, 10-19 Juni
– Theater aan de Markt, Amsterdam, 11-14 aug, Hasselt, BE

Blaas, inflatable performance, presented at:
– Grote Kerk, Den Haag, 8 april, Nutshuis performance program.
– Plekk, Amsterdam, Frascati, 13,14,15 april,

IN SITU, European network for artistic creation in public space, showcase presentation Curve -Schweigman&,
12 aug, Hasselt, BE.


Curve, inflatable installation, presented at:
– Boulevard, 7-16 august, s-Hertogenbosch.
– Noorderzon, 21 t/m zo 23 and 27 t/m 29 augustus, Groningen. – Castellum Hoge Woerd, 17 t/m 19 en 25 t/m 27 september, Utrecht

Sphaerae, residents program iii (Instrument Inventors Initiative),1-30 june, public presentation 5 july,
EAP-lab the Hague,

Braille, scenography and costume design. choregraphy: Kenzo Kusuda, dans: Indu Panday 20 – 23 may,
Korzo, The Hague, NL

Erf, in situ theatre play, costume and props.
– Tuin der Lusten, 13-17 may Eefde, NL
– Festival, 12-20 june, Terschelling, NL
– Groene Kathedraal, 10, 11, 12 september, Almere, NL

Mission to the Moon, performance in regards of The Lift Off: a Cosmonautics Day Celebration, April 12, Kunstkapel, Amsterdam.


Dark Ecology Expedition, participant 9-12 oktober, Kirkenes/Norway and Nikel/Russia. Sonic Acts,

Sphaerae, inflatable multi-dome pavilion presented at : – AxS festival, 19 sept 5 okt, Pasadena, Los Angeles, USA,
– GOGBOT festival, 11- 14 sept. Enschede.

Boskoi, exhibition Designing Scarcity at Het Nieuwe Instituut, 28-juni t/m 30 aug, Rotterdam, NL.

Blaas, inflatable performance, presented at:
– HEMbrug,1- 30 juni, Zaandam, NL
– Fort aan de Klop, 24 sept 12 oktober, Utrecht, NL

Sounds and Stripes, Mediamatic, Amsterdam.
– Stripe performance with Aki Onda (sound) and Kenzo Kusuda (dance), 7 june, Amsterdam.
– Stripe performance with GertJan Prins (sound) and Kenzo Kusuda (dance), 8 june, Amsterdam.

Ignite 37, lightness opening presentation, 30 april, Mediamatic, Amsterdam

current positions
2021 – present

Field Academy – StrandLAB Almere, NL. Initiator and curator.

2009 – present

ArtScience Interfaculty of the Royal Conservatoire and Royal Academy of Arts, The Hague, NL. Staff member and teacher BA/MA.

2005 – present

FoAM studio Amsterdam, co-founder and active member.
FoAM Amsterdam is a foundation for research, presentation and contemplation of creative practices in general and multidisciplinary art forms particularly; to stimulate active participation for the audience in these fields; to create new public contexts which will rise from the above mentioned hybrids.

guest tutor (recent years)

ArtScience Interfaculty [BA/MA], staff member/teacher of the Royal Conservatoire and RoyalAcademy of Arts in The Hague. 2009 – present
Ecology Futures, AKV/St.Joost MA, 2021
Mime – Academy for Theatre and Dance, 2020
Slow Research Lab, workshop Softscapes, 1-14 December, Tiznit, Morocco. 2018
Theatervormgeving, guest-teacher, HKU, Utrecht, NL. 2018
MA Scenography, HKU, Utrecht, NL. 2016 – 2018
Sandberg Institute, Materialization in Art and Design [MAD], guest tutor, Amsterdam, NL. 2016
The Elements Lab, head, ArtScience Interfaculty, The Hague, NL. 2015 – 2016


European Fashion and Textiles Design (MA) Milan – Paris. Specialization: fashion design and fashion management. 1994
Hoge School voor de Kunsten Utrecht, department fashion design, NL. She graduated with the collection “Fashion Is So Ugly – You Have to Change it Every Six Months”. 1989-1993


Prix Ars Electronica 2011, Honorary Mention, mobile urban foraging project Boskoi, Linz, AUT. 2011
Design Price Rotterdam, Kuma Guna in collaboration with Maria Blaisse, Kunsthal, Rotterdam, NL. 1997 nomination
Salon des jeunes stylistes, pret a porter collection Shake Before Use, Hyeres, FR. 1994 nomination

book contributions

Slow Spatial Reader: Chronicles of Radical Affection, Carolyn F. Strauss (ed.), essay contribution, Amsterdam: Valiz, 2021, Published under the Creative Commons license CC BY-NC-ND 4.0:, and was presented in june 2021 at Het Nieuwe Instuut, Rotterdam, NL. 2021

Landscape of Care, a handbook for urban design engagement. essay: Standing in a Landscape of Care. Slow Research Lab. 2020

Materialisation in Art & Design (MAD), Sandberg series nr 4, Sternberg Press. 2019

Sonic Acts Academy 2018, pg 104-113, Sonic Acts Press, ISBN: 978-90-823216-4-7.

Inflatable Art, Architecture and Design, LinksBooks, edition 2013, ISBN-13: 978-8415492344, pg 286 -293. 2014

PARN, physical and alternate reality narratives, Authors: Time’s Up, FoAM, Blast Theory, Auer Tina, Boykett Tim, Eek Cocky, Gaffney Nik, Harger Honor, Howse Martin, Kuzmanovic Maja, Mayrhofer Andreas, Mertens An, Nisi Valentina, Orlic Paola. release april 2013, Times Up, ISBN-13: 978-3200030756, English, 160 pages, 2013, Austria, 2013

Entangled: Technology and the Transformation of Performance, Chris Salter, book publication The MIT Press, Publication Date: February 12, 2010, ISBN-10: 0262195887, pg 330-336: on trg, TGarden and TxOom. FoAM. 2010

Erratic, book publication on dynamic art and design works, Robert Klanten, Floyd Schulze, publisher Gestalten, pg 56-57. DE, ISBN: 978-3-89955-370-3. 2011

See Yourself Sensing, book publication, M.Schwartzman, pg 86-87, Black Dog Publishing, NY,
ISBN 10: 1907317295. 2011

Grig, Pneumatology, Cocky Eek,, 17 pages, FoAM supported by culture 2000 Framework of the European Commision. 2009

TRG: On Transient Realities and their Generators. ISBN: 9081073338 2006

x-med-a. Experimental Media Arts, Electroluminescent Potato, glowing in response to audio patterns in the room. ISBN: 9081073311 2006

Finding Form, Maria Blaisse, Cocky Eek published by Internationalen Sommerakademie für Bildende Kunst Salzburg, AT, ISBN 3-901369-14-7 2001

printed press reviews (recent years)

NRC Handelsblad ****, Spectrum is a lightshow that conjures up an array of emotion. Spectrum presents light emptically, not as something to sense passively, but as an almost tangilble experience. 7 August.
Volkskrant **** (…) a Brillant display of light and sound. Each person in the audience feels their own physical sensation. 13 august by Annette Embrechts.
Trouw **** ..’every sense of time disappears, the senses are sharpened’, 10 Aug,by Margriet Prinssen.
De Groene Amsterdammer, (…) ‘the spectacle is the fading, scorching colors in this steadily deforming firmament.’ 12 August by Marijn van der Jagt.
Parool, review expo Moon Gallery Garden, Zone2Source, by Kees Keijer, 19 juni


WhatsonStage *****, review Blaas: ‘This piece is the star of Brighton Festival and like nothing else I’ve seen’, Bella Todd, 18may 2018, Brighton


El Gran Otro, Componiendo con fuerzas invisibles, Natali Blugerman.


NRC Handelblad, ‘Duinpoezie op Oerol’, hoogtepunten Oerol: Curve, by Ron Rijghard. Including a birds-eye-persective foto-spread of Curve by Catrinus van der Veen, 16 juni


Trouw ****, review Curve, pg 3, 10 Augustes
Volkskrant ****, review Curve, Annette Embrechts,
Volkskrant, Erflaters, review by Annette Embrechts, pg V8 en V9, 9 Juni
Theatermaker, wat is scenografie, oktober, jaargang 19, nummer 5, pg 45


Los Angeles Times, Deborah Vankin. Inflatable Domes as home of the arts, September 22, pg 4
KCET, cultural journal California, Holly Willis,19 sept:
TKTNK publication, 1th edition may, MADCOW: Food, Form, Memory by Victoria Douka-DoukoPoulou, pg 15-21


Trouw, 3 augustes, Blaas, Robert van Heuven
De Morgen, Arjan Benning, Buitelende, Blaas vertedert iedereen, dinsdag 30 juli, pagina 7
NRC Handelsblad – review Blaas, Fritz Abrahams, 1 oktober
Parool *****, review Blaas, Simon van den Berg
NRC Handelsblad, review Blaas by Ron Rijghard, ‘Vervreemdend theater op een eiland’, 17 juni, pagina 12