Cocky Eek

Field Academy

The Field Academy Almere (2018-2022) is the start-up of an experimental exchange of knowledge between various academies, local experts and the human and non-human inhabitants in and around Almere beach in order to navigate the cultural meaning of this site.

In a world of change and uncertainty fieldwork in the broadest sense of the word is a crucial part of our cultural orientation. The Field Academy is a platform where diverse academies can develop and test their own vision on fieldwork on site. Participating Academies are the Academy of Architecture (dep. landscape architecture with Thijs de Zeeuw), the Rietveld Academy (dep. Jewellery-Linking Bodies with Sonja Baumel, the Royal Conservatoire, the Hague, (dep. ArtSciene Interfaculty, Sonology and Composition)  and the Academy for Theater and Dance (dep. Mime.)

Besides being a testing ground for academies, the Field Academy organized the open summer sessions; an open invitation for everybody who wants to be immersed in a diverse program of sensory explorations of the environment. Guided by creative makers and local experts the landscape will be viewed from entirely new perspectives. You can participate in a diverse range of outdoor workshops and inspiring field lectures. Each session is a collective voyage of discovery and surprise is the central theme.

..”The Field Academy works from the power of not-knowing and lets go of the controlled environment of a classroom or laboratory. When we open these walls we are in direct contact with a much larger field. We think and act very differently in the presence of animals and plants or in the middle of an intense rainstorm. What happens when an experiment really relates to the area with all its human and non-human inhabitants?” Cocky Eek

Cocky has set up the Field Academy at StrandLAB-Almere at the lake side of the IJ-meer and started in to in situ research during the annual exchange weeks of the creative departments (Sonology, Compositiom and ArtScience) of the Royal Conservatoire The Hague from 2018-2022. From 2021 the program expanded and also included the Riedveld Academy; the Academy of Architecture and the Mime – Academy for Theatre and Dance in Amsterdam. Besides hosting diverse academy’s, the program rolled out in the yearly public Summer Sessions: a three-day mini-festival and a two-days-field-program at the Amstelpark- Zone2Source 2022 in Amsterdam.

more about curating the Field Academy Almere: https://strandlab-almere.nl/programma/veldwerkprogramma-met-curator-cocky-eek/

foto’ credit foto above: Cleo Thomas

Patterns of Ebb and Flow, openings-presentation FieldAcademy at Almere StrandLab 2018

Robbi Meertens, ‘listening with the ears of the landscape’ 2022

Public ‘flocking’ presentation Patterens of Ebb and Flow with ArtScience Interfaculty and Academy for Theater and Dance (dep. Mime.) 2022. Photo credit Erwin Budding.

Fieldwork method

The Field Academy sees fieldwork as a method of exploration based on the trust of direct experience. Often, practicing fieldwork raises completely different questions than the ones you might have thought of at the start. By standing with two feet in the full complexity of a place, you get direct feedback and the field challenges you to take a stand in the midst of its complexity.

The Field Academy assumes improvisational research in a place including all senses (embodied research) that opens up to both the complex and subtle qualities of an area. This exploration is based, among other things, on situated knowledge, doing experiments and making prototypes on the spot influenced by local conditions and relations. For this, skills such as adaptability, improvisation, cooperation and powers of observation are essential on many levels. Cocky Eek

Public presention Patterns of Ebb and Flow – 2019, work by Sóley Sigurjónsdóttir.photo credit Kasper van der Horst.

Amstelpark as Sensorial Heritage. We often talk about our landscape in terms of spatial and cultural heritage, but in this edition september 2023 of the Field Academy taking place at the Amstelpark the question arises whether we can also consider a place like the Amstelpark as sensorial heritage: the park as a space for specific experiences, smells, sounds etc. What happens when you approach a park in this way? Can even regular visitors walk the existing paths in new ways, or can new ways of visiting the park emerge? more: https://zone2source.net/en/event/field-academy/

Vitalizing the Invisible with Kenzo Kusuda. photo-credit Tasha Arlova 2021
participants Vitalizing the Invisible, photo-credit Tasha Arlova, 2021
Stone Network with Marit Mihhklep and Anna Bierler, photo-credit Tasha Arlova 2021.
Voices from the Wateredge with Lada Hršak, photo-credit Tasha Arlova 2021
FINDING A MORE-THAN-HUMAN ALLY with Carolyn F. Strauss. photo-credit Cocky Eek 2021